As a teen I spent much of my time in the self-imposed study of anatomy. I had the ridiculous idea that Norman Rockwell "drew from his head" and my goal was to draw people as well as he did. I poured over anatomy textbooks, drawing bones and muscle groups.

I have to admit my eventual disappointment in finding out that Rockwell used a projector and traced photographs onto his canvas. (I have since gotten over my prejudice, but had been scarred by years of elementary school friends falsely accusing me of "tracing".) I began to develop a less realistic style anyway, much thanks to my artistic mother whose constant critique that my figures were "too stiff" helped me move out of simple representational drawing and into a unique personal style.

Except for a short time when I considered becoming a doctor (actually, it was my pediatrician who prodded me to think about medical school. I just wanted to draw bones and muscles -- ) I've planned to be a children's book illustrator since I was four years old.

That's me at four (with the bangs) next to my brother John who is also an artist and my sister Laura who is a banker.

Then, in the first grade I discovered Carolyn Haywood had both drawn and written "'B' is for Betsy.

Permanently inspired, I realized if I learned enough about writing and drawing stories, I might also be lucky enough to be allowed to do both jobs someday.

My mother has always encouraged me. In fact, she told me the blank end pages on my set of Collier's "The Young Folks' Shelf of Books" were for me to draw on.

She also taught me how to make a girl's face from a cracked egg, a princess gown from a triangle and the side of a man's face out of capital "L"s.

<Check it out> 

"Lemonade Stand" by Maurie Jo Manning, age 4

In the early 1990's, when computers were just becoming popular, I got a job illustrating educational software for Jostens Learning Corporation. Our group of young illustrators were among the first to use the computer as a tool for drawing. Now I use a Wacom stylus that looks and acts exactly like a pen, but in those days we sketched with a mouse and only had 16 colors to choose from.

After working full-time as an illustrator and art director at various educational software companies, a book packager and a computer game company, I took the freelance plunge, supplementing my meager trade book income with textbook and children's magazine work for clients such as PEARSON, STECK-VAUGHN, HEINMANN, OUP, MACMILLAN, HARCOURT, CARUS, HIGHLIGHTS, GIRL SCOUTS OF AMERICA and many others.

The word "Tradigital" was probably coined in the mid 1990s by animated filmmakers to discribe the emerging techniques as traditional illustrators got ahold of computers. The idea of using a computer as a pencil is still not well understood by most people, even other traditional illustrators.

For more discussion on Digital Illustration, please visit my blog at www.thedigitalpencil.blogspot.com.


All images and content Copyright © MJManning
Maurie Manning lives in California with her teenaged daughter, two noisy african grey parrots (Here is a video of Sylvia) and an unruly border collie named Kip.

Interested trade publishers please contact Maurie through her literary agent, Scott Treimel NY. Educational publishers may email her directly at maurie@mauriejmanning.com

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